Biography
Loy Luo is an artist based in New York. She received a Master's Degree from the Beijing Institute of Fashion Technology in 2010 and taught art at the Beijing Institute of Science and Technology Management from 2010 to 2012.
Luo's main focus has been painting and sculpting, she is also a concept and performance artist, a poet, a vocalist and a writer. Her art has been exhibited in China, Italy, France and the US and collected in these countries as well as in Germany, Belgium, Sweden, Australia and other countries.
Main solo exhibitions
2021, “Window Book" and the "Window Bian” Solo Exhibition ( Mana Contemporary Open House) ;
2020，“Homeless” Solo Exhibition (Undercurrent gallery, New York, America);
2020，“The Other I -The Me in Others” Solo Exhibiong( WhiteBox Harlem, New York, America);
2020，“Who is the Me’”online show (Funspace Art Center, Roma, Italy)
2018，“Stillness” Painting and Sculpture Solo Exhibition ( Beijing Jindu Art Center ,Beijing);
2016，“Dance Together” Solo Exhibition( Fun Space Gallery, Rome, Italy)
2015，“Suspending” Painting and Sculpture Solo Exhibition (Ning Space Gallery, Beijing 798, China).
Art fair, group show, online
2022, Autumn Harmony, Legend Art Exhibition of American Chinese Artists (Museum of Chinese and Overseas Chinese in Philadelphia, USA)
2022, The Maverick Expo Edition#13 (New York)
2021, “Conversation with Artist Loy Luo” online ( International Association of Female Artists, USA )
2021，Hongjiang International Intelligent Education Forum and Contemporary Digital Art Exhibition(Guangxi, China)
2021, Miami "Satellite Art Fair" (Miami)
2021, “Perfect Day，Drugs and Art"(White Box, New York, );
2019, The Beijing Flash Biennale (China );
2019, The Logical Lines of Painting-Invitation Exhibition on Making and Significance( the Shouzhou Jinji Lake Art Museum, Jiangsu, China, );
2018, The San Venanzio Architecture Exhibition (Rome, Italy);
2016, Poetry, Medium Domain-China Contemporary Abstract Sculpture Art Exhibition (China World National Culture Exchange Promotion Association and Sculpture Magazine,Beijing, China );
2016, Drunk Art in the Micro Particle (Sanlitun, Beijng, China )；
2014, Sweden West East Gallery "Three Impression Exhibition"；
2013, Chinese and French Artists joint Exhibition in Fontenay, France;
2012, the 5th Asian art fair in Beijing;
2011, "Type, up and down" Art Invitational Exhibition
Crossover
2022, She found L private gallery and did crossover activities and experimental art with Musicians, painters, sculptors, poets, dancers from different countries and cultures.
2019, Cooperated with musicians Dou Wei and Wen Bin to record the music album "Wordless Chinese Voice Post" at Beijing ;
2017, served as the artistic director of the dance drama "Nine Deaths" by Beijing YouranYuxiao Modern Dance Company;
Exchange Activities
In 2022, invited by the Yunnan Art Museum as a guest speaker (on the textualization of contemporary art)
2021, "Dialogue with Loy Luo" Online Art Exhibition (International Association of Women Artists, USA);
In 2021, invited by Beijing Weicao Zhiku to be the keynote speaker of the online salon "Cyberspace, Homeless"
In 2018, invited to give an art lecture entitled "No beauty, No Expression, No Smartness" at Suzhou Jinji Lake Art Museum
Public Projects
In 2012, independently completed the Portrait Commemorative Cup of the National Li Delun Conducting Competition
In 2009, participated in the production of relief sculptures in the History Museum of Nanjing University of Science and Technology
In 2007, participated in the drawing of murals in the VIP Hall of Beijing T3 Terminal
In 2007, Jiangxi Ruijin Museum drew oil paintings on historical themes, and independently completed two works
Criticism Wrting
In 2022, invited by the Hong Kong online media Kalavinka to discuss "Can art serve a role as a cultural bridge between China and other nations?" (Kalavinka Viewpoints#22)
In 2022, "Responding to Chen Jiaying's criticism of the textualization of contemporary art with an exhibition as an example" was adopted by Dominoart, an influential self-media in the industry
In 2021, employed as a columnist of Artron Art Network
In 2017, "Loy Luo and Jia Fangzhou's Dialogue on Wu Guanzhong's Art" was included in Jia Fangzhou's monograph "Wu Guanzhong Research" and was adopted by Artron Art Network.
In 2016, "Minimalism is not abstract, minimalism is not cold" was adopted by Artron Art Network, and reprinted by Art International, Art and Fortune media etc.
In 2013, wrote an article "Small Discussion on the Dust Explosion Trend of Internet Platforms" for Macau Daily